BOOK

µµ¼­

°Ô½Ã±Û °Ë»ö
Contemporary Studio Porcelain
ÀúÀÚ : Peter Lane
³¯Â¥ : 2011-11-04 (±Ý) 10:28 Á¶È¸ : 717
ÃâÆÇ»ç : University of Pennsylvania Press


Ãâ°£ÀÏ: 2003³â 11¿ù 1ÀϤÓ256ÂÊ

 PORCELAIN IS PRIZED FOR ITS VIVID WHITENESS, BUT IT HAS ALWAYS POSED PARTICULAR PROBLEMS FOR THE CERAMICIST USING IT. IN CONTEMPORARY STUDIO PORCELAIN, PETER LANE PROVIDES A STRONG HISTORY AND CELEBRATION OF THE DEVELOPMENT OF PORCELAIN AT THE TURN OF THE NEW MILLENNIUM. HE GIVES PARTICULAR CONSIDERATION TO THE TECHNICAL ACHIEVEMENTS, WORKING PRACTICES, AND AESTHETIC CONCERNS OF CERAMICISTS WHO WORK WITH THIS MOST POPULAR MEDIUM AND ITS CLOSE RELATIVE, BONE CHINA. THE INTERNATIONAL GROUP OF ARTISTS FEATURED IN THIS BOOK DEMONSTRATES THE CONFIDENCE AND VERSATILITY FOUND IN CONTEMPORARY PORCELAIN, RESULTING IN A BREATHTAKING LOOK AT THE EXCITING AND INNOVATIVE WORK THAT IS CURRENTLY BEING DONE INTERNATIONALLY IN THIS FIELD. CONTEMPORARY STUDIO PORCELAIN PRESENTS A WIDE DIVERSITY OF PORCELAIN OBJECTS THAT WILL BOTH INSPIRE AND ENTHRALL. THIS CLASSIC WORK, NOW SUBSTANTIALLY REVISED, IS A MUST NOT ONLY FOR ANY POTTER WORKING IN PORCELAIN BUT ALSO FOR COLLECTORS OF FINE CERAMICS.

[Ãâó: ÀÎÅÍ³Ý ±³º¸¹®°í]

-¸ñÂ÷-

Acknowledgements 6
Foreword by David Leach 7
Introduction 9
Qualities and properties of porcelain and bone china 25
Form and forming processes 51
Sources of inspiration and means of __EXPRESSION__ 85
Surface treatments 145
Porcelain multiples and installations 205
Glazes for porcelain 217
Conclusion 241
Glossary of ceramic terms 248
Suggested further reading 252
Index 254